One thing I realized as I was taking the 120 or so photos that I took for this assignment was that I do not have an eye for photography. That being said, I think some of the photos were decent, and I was thinking about creative devices when I took them.
This photograph (above) is titled “Distance”, and the dominant creative device in it is the creation of depth. The depth in this photograph draws attention to the comparatively greater detail of the nearest trees, highlighted by the sun. The sense of infinity that is created as the photo becomes less distinct and fades into the distance is also aesthetically appealing.
This photo also makes use of contrast. The trees in the foreground, accented by the sun, stand out against the darkness of the first curve of the mountain, and dark against the snow in the distance.
This picture, titled “On the Road Again”, uses leading lines as its primary creative device. The road that cuts through the land helps draw the eye up through the photograph. The road leads twice into the tree that takes up the right-most third of picture, leading the eye up the tree’s length and finally into the distance.
This photo also creates distance by cementing the viewer behind the lit tree and by the way the background becomes indistinct. All of these creative devices serve to make the tree stand out in the photograph.
In this photograph (right), titled “Abandoned”, I attempted to use balancing elements. The grill and the shredded orange plastic are balanced by the presence of the red on the shelter. The dark shelter also serves as an anchor for the photograph against the bright sky and white snow that take up much of the space, helping to balance the grill.
The vivid orange against the black grill grabs the viewer’s attention. The lines between the bricks of the shelter and the grooves in the red roof draw the eye toward the grill as well .
This one (above) is titled “Splatter”, and mostly relies on focus for its appeal. The picture focused on the glass between the camera and the landscape, and in doing so details the many specks of dirt and dried water on the window. In this case, the focus draws the eye to a barrier between the viewer and the outside world.
The sun at the center of the picture becomes a center for a kind of explosion of the defined splotches, where the brightest ones are nearest to the light source. This draws the eye first toward the sun and then away from it, until at the edges the spots are fewer and less distinct. The contrast between the bright spots and the dark mountain also helps the spots to stand out.
The last photo (above) is titled “Poppable”, and the primary creative device in it is texture. The viewer’s eye is drawn to the texture of the bubble wrap in the foreground, where the many bumps and wrinkles of the plastic are defined by the light. The viewer might almost be tempted to reach out and pop one.
The sense of distance created by the point of view of the camera almost lets the bubble wrap take on the appearance of a landscape. It also creates the illusion that the dark, out of focus furniture in the background is farther away than it really is. This sort of “distortion” helps to create a visually appealing photograph.
This assignment was a challenging one for me, because as I said at the beginning, I don’t have much of a talent for finding the right shots. I learned, though, that working hard, trying to use the creative elements, and shooting a huge number of photographs can lead to some good pictures. I was surprised at how some pictures would turn out almost independently of me, like “Splatter”, which was taken almost on accident. One thing I wish I could have done differently was take more photos at different times, like at night or during a sunrise or sunset.
That’s all for now,